Rev-iew: Close Encounters of the Third Kind, The Director’s Cut (1977 film)

1977. What a time to be alive. Close Encounters, Star Wars, and Smokey and the Bandit released in the same year. I was four years old, meaning these three films played on repeat throughout my childhood. It was a magical time.

Let’s see what the fine folks at Wikipedia have to say about this film (please donate to them if you can).

Close Encounters of the Third Kind is a 1977 American science fiction drama film written and directed by Steven Spielberg, starring Richard DreyfussMelinda DillonTeri GarrBob BalabanCary Guffey, and François Truffaut. The film depicts the story of Roy Neary, an everyday blue-collar worker in Indiana, whose life changes after an encounter with an unidentified flying object (UFO), and Jillian Guiler, a single mother whose three-year-old son Barry is abducted during the same UFO manifestation.

Close Encounters was a long-cherished project for Spielberg. In late 1973, he developed a deal with Columbia Pictures for a science-fiction film. Though Spielberg received sole credit for the script, he was assisted by Paul SchraderJohn HillDavid GilerHal BarwoodMatthew Robbins, and Jerry Belson, all of whom contributed to the screenplay in varying degrees[citation needed]. The title is derived from astronomer and Ufologist J. Allen Hynek‘s classification of close encounters with extraterrestrials, in which the third kind denotes human observations of extraterrestrials or “animate beings”. Douglas Trumbull served as the visual effects supervisor, while Carlo Rambaldi designed the aliens.

Made on a production budget of US$19.4 million, Close Encounters was released in a limited number of cities on November 16[5] and 23, 1977,[6] and expanded into wide release the following month. It was a critical and financial success, eventually grossing over $300 million worldwide and becoming the third highest-grossing film of 1977 behind only Star Wars and Smokey and the Bandit. It received numerous awards and nominations at the 50th Academy Awards32nd British Academy Film Awards, the 35th Golden Globe Awards and the 5th Saturn Awards, and has been widely acclaimed by the American Film Institute.

In December 2007, it was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in the National Film Registry.[7][8] A Special Edition was released theatrically in 1980. Spielberg agreed to create this edition to add more scenes that they had been unable to include in the original release, with the studio demanding a controversial scene depicting the interior of the extraterrestrial mothership.[9] Spielberg’s dissatisfaction with the altered ending scene led to a third version, the Director’s Cut on VHS and LaserDisc in 1998 (and later DVD and Blu-ray). It is the longest version, combining Spielberg’s favorite elements from both previous editions but removing the scenes inside the mothership.[10] The film was later remastered in 4K and was then re-released in theaters on September 1, 2017, by Sony Pictures Releasing for its 40th anniversary.[11]


The Rev-iew…

I’m trying to refresh my Spielberg memory, especially with his upcoming film “Disclosure Day” releasing in the next few months. No one does ET’s like Spielberg, and rumor around the conspiracy campfire says he uses an actual UAP somewhere in the movie. Now, if he were any other director, I’d call BS. He’s Steven Spielberg, though; he doesn’t need that kind of PR stunt to put butts in seats. I want this to be truth so badly.

Close Encounters of the Third Kind is the Wizard of Oz of first-contact films. It is loaded with a ton of incredibly accurate UAP whistleblower details only recently made public in an official capacity fifty years after the fact. It’s the story of loneliness in fascination, putting all else aside, regardless of how societally crucial. It’s about closure, and it’s a cinematic wonder.

Loaded with heart, tension, and some ground-breaking visual effects which still hold up by today’s standards, Close Encounters is incredibly relevant nearly fifty years after its release. I prefer the director’s cut, as I feel it focuses more on the human element; the psychological interpretation of what’s occurring (obsession, separation, isolation, discovery, and hope) rather than just an awe-inspiring, potentially-terrifying visual spectacle. A drama rather than a sci-fi flick. That’s just me.

I’m hoping beyond hope that I can find a theatrical showing of Close Encounters as Disclosure Day looms closer. It’s a movie that invites immersion whenever our noisy lives allow. Who knows? Perhaps one day soon we’ll be looking back to see what Spielberg got right.

5/5

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