Rev-iew: Sleeping Dog (2026)

For the sake of this review, I will refer to “Sleeping Dog” (this film), “Age of Disclosure”, and S4: The Bob Lazar Story” as The Trilogy. I know it’s three separate filmmakers, and about three different subjects (Luis Elizondo (military guy), Bob Lazar (science guy), and Jeremy Corbell (gonzo journalist)). I own all three of these films to support the work of the filmmakers, and follow these three individuals on YouTube like most guys follow swimsuit models or hockey royalty.

My reviews of most media regarding UFO’s, UAP’s, or aliens will be biased. After all, we’re looking for the same thing: the truth.

Let’s see what the fine folks at Wikipedia have to say about this film:

Nothing.

So, let’s see what the fine folks at Wikipedia have to say about Jeremy Corbell: Jeremy Kenyon Lockyer Corbell (born February 3, 1977) is an American contemporary artist, filmmaker and ufologist based in Los Angeles, California. Initially gaining prominence as a visual artist, by the late 2010s Corbell became a well known figure in the UFO community, producing documentary films and podcasts on the subject.

Good enough.

The Rev-iew:

Of the trilogy, I was the least interested in Jeremy’s film. AOD covers the government’s involvement, S4 covers the top secret whistleblower legend, and Corbell is the gonzo journalist I wished I had the balls to be. At one time, I thought I may have been, but I was wrong.

True story: I purchased “this film “Sleeping Dog”, saw a half-hour’s worth of a Corbell interview with Area 52 with Chris Ramsay, and immediately requested a refund. Then, I did some incredibly guilty soul-searching and bought it again. The guy’s kind of the dick rock star of the UFO world and hard to swallow at times.

I worked knee-deep in the art community for over a decade; coast to coast and top to bottom. Hell, there’s even a possibility I may have transported or handled some of Corbell’s artwork at some point. I’ve handled a ton of celebrity art in my day. Bjork comes to mind more than anyone else. Maybe he’d think it was cool if I handled some of his art, too? Seriously, these hands have touched a few master works. The stories I could tell someday for $9.99 a pop.

Let’s separate these three by subject matter:

Disclosure: Elizondo’s is the tough, military guy turning his back on his oath story. It’s quite courageous to do such things in the face of elitist adversity, and I salute him for doing so.

Lazar? He’s cartoonishly brilliant. A living, breathing poster-child of the stereotypical 80’s nerd. I recall the Lazar telecast as a teenager, and actually heard him speak in-person earlier this year. (I was about ten feet from Corbell the entire time, but didn’t want to disturb him. I’m no one now, if I were ever anyone at all, and I dig it. Life is as quiet as I allow it to be.)

Corbell is not a journalist by profession, and does all this out of pure passion. At any given moment in the film, I was waiting for a red dot to appear on his forehead and…splat; roll credits. Luckily, that doesn’t happen, and we get the most personal and consequential of the three films.

If Elizondo hits a brick wall, I’m sure his military background could land him a job somewhere. Lazar is Lazar; he probably IS an alien for all we know. He’ll invent an f’ing teleporter or something and be just fine.

Corbell? He loses everything if he fails, and that’s why I believe him the most. Yes, it helps that I preemptively believe Lazar, Elizondo, and Knapp, but Corbell appears to be doing all this just because he thinks the world should know the truth.

But how was the film?

A solid documentary, even if you choose not to believe him. That’s what it all comes down to with these three films. Do you believe Lazar worked at S4? If not, it all goes to pot, and you’re just wasting your time. Me? I’m obsessed. I hope we’re not alone in the universe, especially since those in control of this planet are freaking idiots!

This was my favorite of all three of the recent disclosure documentaries for its heart alone. If you’re a believer in the phenomena, it’s 5/5 like the others.

Now, if you think we’re the only intelligent life in the universe, you could also use this film as a means of scaring your children against the evil’s of Californians, the art world, tattoo’s and their connection to the creepy sky demons.